roartonrisen (
roartonrisen) wrote2015-10-07 08:46 pm
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How is it that after finally getting what he’s been after for so long, all Kieren wants to do is go back home?
Then again, a lot of that panic is due to the fact that one minute, Kieren had been in the washroom trying to give himself his injection using the mirror and the next, he’s in the middle of a crowded train station, as if suddenly his old wishes are coming true and he’s managed to escape Roarton and find his way into a whole new whirlwind. The trouble, of course, being that he’s got no cover up, no contacts, and is currently wielding his injector.
“Excuse me,” he says, as politely as he can despite his rising panic, jamming his way out of the station with his head down and trying not to make any eye contact. He feels like he can’t breathe and given that he doesn’t breathe, that’s a bit much. It feels like too much. Between losing Amy and his forced encounter with Blue Oblivion, suddenly having a mad episode and thinking you’re in a crowded city must mean something. The trouble is, he isn’t sure what.
It’s not really a side effect that they put in the pamphlets, is it?
Kieren doesn’t find any respite on the street either. There’s just more and more people, like they’re coming from every direction. His panic drives him into an alleyway just for a breather, clasping onto his injection. He reaches back for the hole in his neck, grimacing as he tries to align it. He hadn’t managed to finish giving himself the daily dose before he’d been interrupted.
And now he’s in an alleyway in some strange city, looking like he’s shooting up.
Strangely, it brings Simon to mind and Kieren almost laughs at the absurdity of the situation, only he has to be careful because if he moves, this is going to hurt more than it usually does (and it usually hurts a lot). It’s in the middle of this completely absurd and ridiculous piece of mad theatre that he hears footfalls at the head of the alley, because of course he’d be caught out like this.
Mindful of what he looks like right now and knowing he needs to finish this injection, Kieren keeps his head just slightly tilted so the shadows hide his skin and his eyes.
“It’s not what you think,” he protests immediately. “Really. I swear, it’s medicinal.”
Because that would be the perfect cap on a mad day – being carted off to the hospital or the loony bin for giving himself required drugs in some strange new alley. So here he is, in the hands of a stranger, and Kieren just has to hope that after all the really terrible experiences he’s had lately, this is going to make up for it all.
Then again, a lot of that panic is due to the fact that one minute, Kieren had been in the washroom trying to give himself his injection using the mirror and the next, he’s in the middle of a crowded train station, as if suddenly his old wishes are coming true and he’s managed to escape Roarton and find his way into a whole new whirlwind. The trouble, of course, being that he’s got no cover up, no contacts, and is currently wielding his injector.
“Excuse me,” he says, as politely as he can despite his rising panic, jamming his way out of the station with his head down and trying not to make any eye contact. He feels like he can’t breathe and given that he doesn’t breathe, that’s a bit much. It feels like too much. Between losing Amy and his forced encounter with Blue Oblivion, suddenly having a mad episode and thinking you’re in a crowded city must mean something. The trouble is, he isn’t sure what.
It’s not really a side effect that they put in the pamphlets, is it?
Kieren doesn’t find any respite on the street either. There’s just more and more people, like they’re coming from every direction. His panic drives him into an alleyway just for a breather, clasping onto his injection. He reaches back for the hole in his neck, grimacing as he tries to align it. He hadn’t managed to finish giving himself the daily dose before he’d been interrupted.
And now he’s in an alleyway in some strange city, looking like he’s shooting up.
Strangely, it brings Simon to mind and Kieren almost laughs at the absurdity of the situation, only he has to be careful because if he moves, this is going to hurt more than it usually does (and it usually hurts a lot). It’s in the middle of this completely absurd and ridiculous piece of mad theatre that he hears footfalls at the head of the alley, because of course he’d be caught out like this.
Mindful of what he looks like right now and knowing he needs to finish this injection, Kieren keeps his head just slightly tilted so the shadows hide his skin and his eyes.
“It’s not what you think,” he protests immediately. “Really. I swear, it’s medicinal.”
Because that would be the perfect cap on a mad day – being carted off to the hospital or the loony bin for giving himself required drugs in some strange new alley. So here he is, in the hands of a stranger, and Kieren just has to hope that after all the really terrible experiences he’s had lately, this is going to make up for it all.
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All he can think of, right now, is Lisa Lancaster and her parents, so utterly hopeful that his bite had turned her; only, it's not like that, not at all. "Where I come from, people who died three years ago, we all rose," he says, confusion echoing in his words. "And, yes, we were rabid and dangerous, but they found a cure and they brought us all back. I don't want to cause any more harm," he protests earnestly. "I'm tired of seeing people getting hurt. I'm so ready to move past that," he says, thinking of Rick and of the tram and the Ravenshead Massacre and just all of it.
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Wouldn't that just be the most horrible way to go? Finally face a walker in Darrow and faint right in front of him.
She can see it in his expression that her reaction has hurt him and that makes her head spin, too. "I need to sit down," she says, then laughs a little hysterically. "I'm sorry." She's apologizing to a walker, but he's been speaking to her and he's new and she doesn't think he's at all like the walkers from home.
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He's not about to say that his hands had been shaky, because his hands aren't supposed to be shaky and that's a whole different kind of frightening that he can't explain. "I couldn't talk before," he admits. "Not when I'm rabid." Self-consciously, he tugs on the edges of his sleeves to pull them lower over his wrists, a defense-mechanism that's grown since his death.
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Her brother. Her mother. Lori and Andrea and her father.
"There's a medicine," she says as she sinks onto the bench and puts her head in her hands. "There's... oh my God. Oh my God. But so many people died. My... my mom."
She knows there are different worlds and maybe none of this is true of her world, but she can't help but make the connection. Kieran is telling her there's a medicine for the walkers, there's a way to cure them, and all she knows is that Rick and the others shot half her family because they were so sure there wasn't.
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Besides, he thinks he's not getting much more information until they've talked this through. "Where I come from, after the Rising, there was a bunch of people who joined the Human Volunteer Force. Zombie hunters," he says, quietly and trying not to let images of Gaz and Bill Macy fill his brain, because of all of them, they're the worst of the lot. "My sister was one. She came across me feeding," he manages, choking out the word, "and she didn't kill me. But I still hurt people," he explains. "And if she had pulled that trigger on me, it would've been right. I was meant to be dead," he says. "I'm happy, now, for the second chance, but ... I was meant to be dead and not hurting people."
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She knows what he's trying to do when he tells her this, she knows he's just trying to make things easier, assure her she only ever did what she had to do, but she isn't sure it helps.
"I'm sorry," she says again. "It's just... I don't know, I don't think there's anything that'll make any of this make sense. Not for either of us, I bet, but you're... you're new to Darrow and there's a lot I should tell you."
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He jams it into his pocket, because he doesn't exactly want to talk about things happening to him that he can't explain. "I'm in America, then?"
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Her explanation isn't the best, she knows that. It's stilted and a little rough, but she's still trying to understand what he's told her at the same time as she explains Darrow to him. It's more than just weird, it's completely unbelievable, but she has to believe it.
"It happens to most of us," she tells him. "We all get pulled here like you did."
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"This place seems a touch more mad science," he says, even if panic is rising. "What about supplies? Can you get things from home?"
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But he asks that, if he can get supplies from home, and she's thinking about whatever it is she's just injected into him. It's something he needs, something that isn't here.
Beth doesn't want to think too long on what that might mean.
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"What about medical facilities?" he asks, trying not to feel too doomed. "How are the doctors here?"
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Because she knows why he's asking. He'd looked down at the injector and it's exactly what Beth had thought and she knows she should be glad he's at least worried about it, but she's still so thrown off by everything.
"I know this guy named Newt, he's a genius," she says. "And he works with a bunch of other geniuses, I bet they could help you."
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"I appreciate it, I really do," Kieren insists.
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"You're new here," she says. "I can't just leave you to figure it all out by yourself. Speaking of which, we should probably get you your package. Everyone gets one when they arrive here and it'll have a bunch of stuff for you. Including an apartment key and the number of the place you'll be living."
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She takes a moment for herself, draws in a deep breath and then lets it out, then stands and gives Kieren a smile. "So you've found yourself in the city of Darrow. You can't get home, but they kinda prepare for you to get here, whoever they are. No one really knows. There's gonna be a package waiting for you at the train station. It'll have money and a key for an apartment and a bank card. Money gets put in there every month, so you don't have to get a job, but a lot of people do anyway."
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Right now she isn't sure if she's grateful for that or not. Maybe if other dead people were here, this wouldn't be so horrifying for her, maybe if someone else like him existed, she'd be able to bring him to them and just ask them for their help and then leave the entire situation behind. Maybe she wouldn't be so upset and bothered by the entire thing. She feels guilty for her own fear and has no idea how to make it stop.
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"I suppose I should go and collect my things," he says awkwardly, clutching his injector to his chest as the precious thing it is. "I feel like I owe you something. I don't think it's really been easy for you to talk to me. Has it?"
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After so long, she thinks she knows what it feels like to be in danger.
"I can show you where you'll find your stuff," she tells him. "I don't mind."
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She wonders how walkers would even decorate, then immediately feels guilty for the thought. He's not like most walkers, she knows that by now.
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But so much had changed and she'd changed with it.
"I don't know the exact population, but it's in the thousands for sure. There's people everywhere. Not much here is quiet except the forest and the cemetery, I guess. Maybe the suburbs."
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"That'll take some getting used to. Roarton was miniscule, compared to this."