roartonrisen (
roartonrisen) wrote2017-05-22 11:27 am
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dated june 7th
Somehow, Kieren's lost track of time again. He'd been at one of the little art studios that offered lessons, curled up in the corner to work on his paint techniques. It's dark by the time he gets out, tucking his supplies under his arm as he digs out his phone to send Sirius a text to let him know where he is, apologising for letting the time slip away from him. The moon is bright above him, guiding his way through the dark streets.
He's got a bit of a hike to get home, but if he cuts through a few of the alleys, he can reach the bus stop and get the last bus before they stop running for the evening. He's still texting, grinning as he lets Sirius know that he's more than willing to make up for being late when a sound cuts him off. He doesn't drop his phone, but clutches it tighter. In the middle of a dark alley, Kieren starts to second-guess the brilliance of this plan.
"Hello?" he calls out warily, holding onto his bag a little tighter, both to protect it and to make himself feel a bit smaller. Fear pounds through him, seeing as now if something happens to him, he doesn't have his undead status to help him through the worst of it. "Hello, is someone there?"
He's got a bit of a hike to get home, but if he cuts through a few of the alleys, he can reach the bus stop and get the last bus before they stop running for the evening. He's still texting, grinning as he lets Sirius know that he's more than willing to make up for being late when a sound cuts him off. He doesn't drop his phone, but clutches it tighter. In the middle of a dark alley, Kieren starts to second-guess the brilliance of this plan.
"Hello?" he calls out warily, holding onto his bag a little tighter, both to protect it and to make himself feel a bit smaller. Fear pounds through him, seeing as now if something happens to him, he doesn't have his undead status to help him through the worst of it. "Hello, is someone there?"
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This is deeply unfortunate.
His phone has a series of increasingly concerned messages from Biffy, as well, who no doubt expected him at the secure cottage much earlier.
Well, Lyall has always been stalwart about the change. Perhaps he can hold it off long enough to make it there.
This proves not to be the case. Sticking to alleys as the dark falls and he has begun to sprout quite a bit of hair, teeth elongating painfully, Lyall struggles to move quickly despite his reforming bones. In a comfortable area, he has an art to his transformation, at very least a resistance to it that most wolves cannot claim. Keeping his head long enough to get himself chained up, though -- that takes more work, and it's hard to do both, in a new city.
But he must -- he can't possibly --
Finally, crumpling, the transformation takes him over; a handsome, lithe red wolf shakes itself free of the professor's shredded clothing.
Hungry! Alone - very alone -- Newcomer?? Scents and sounds assault werewolf ears, city smells and supernaturals who have been here. Instinct overrides human emotion easily at the height of transformation. He has no pack with him, this place is not his. He tips his head to howl.
Then someone calls out, and he pricks his ears, growling. Alone, and defensive.
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"Hello?" he gets out again, walking a little slower when he hears it. It's a howling sound that strikes icy fear into his veins. Turning, Kieren can't make out, exactly, where it had come from, which is a bad thing. He doesn't even know where he can run to, so he picks up the pace and tries to walk a little faster, praying that whatever had howled is just a family pet, trying to convince its owners that it wants to go inside.
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In voluntary transformation, Lyall likes to think he has above average control over the wolf's baser instincts. Even on the full moon, perhaps, given time for contemplation and preparation; but, caught by surprise, his more rational thoughts are at war with the beast, pulled away from its pack and set down in a new environment surrounded by new smells.
The human in his area smells like fear, but nothing else familiar; it's walking toward him. His ears flicker back; he growls in warning, stepping forward to encourage the intruder away. Without his pack, Lyall feels very much on the defensive, but he can take care of himself.
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"I'm not here to hurt you," he tries to reason with the animal, pushing his hands in front of him, as if he wants to defend himself. His movements are slow, careful, and he feels strangely like he's back in Roarton, worrying about an untreated PDS in the village. "Shit," he exhales under his breath, feeling his heartbeat race with panic. "I was trying to get by," he says, not sure why he's trying to talk to a wild animal.
He should be running, but he can't seem to convince his legs to move.
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The small, foxy wolf is cunning, despite not sharing the bulk of his Alpha; he's a sharp, good, fighter, and it's well that the man hasn't tried to fight back. Confronted with a presence both afraid and unwilling to run, Lyall stands a little taller, watching carefully.
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It's that overwhelming feeling, too many emotions, and he just needs them to stop, because it's too much, and he's still clumsily trying to haul himself back to his feet and stumble backwards, wary of what the noise will do to the animal.
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He jumps, snarling, at the clatter of the trash bin, then directs his furor at what must be the poor attempt of defense of the animal in this territory. The growl of a werewolf is not that of an ordinary dog or wolf, something beyond nature; beyond time. Ears back, showing his teeth, he slowly advances toward this stumbling, panicked prey.
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He can't use the tricks he had at home, citing that he's just one of them, like the other PDS, but he has to at least try and get himself out of this by being calm. "I'm Kieren, I'm not going to hurt you, I just want to go home."
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Lyall knows he's not going to be hurt by this panicked human, now; and he smells compellingly like meat. In the midst of having had all his bones broken and reformed, meat is what the werewolf needs, to rage and prowl and hunt. All instinct, the wolf slinks forward in a hunting stance, watching carefully, ready to cut off an attempt to run or to hurt him.
But the human tries to allay its fear, talking to him, and as he draws nearer, the terribly inconvenient remaining human part of his mind cries out to stop!. As Lyall -- and his human thoughts -- gain at least some measure of control, he pauses, hesitating. He cannot -- cannot -- simply kill and eat as he feels so inclined to; he will not let himself. The wolf hangs back, reluctantly, watching the human.
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"I don't, I don't want to hurt you at all," he says, not wanting to leave in case the animal needs help. "Do you need my help?"
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But in this state, he cannot explain nor even fully understand this; he whines, ears flickering. He is confused and hungry and utterly lonely. He wants Biffy. He wants pack.
This man he does not want to kill does not run despite his fear, but he isn't challenging. The wolf Lyall sweeps his tail from side to side slowly, eyes wary. This is not an enemy and he cannot bring himself to call him food. But nothing here is friend, quite.
He edges sideways, toward the opening of the alley. He doesn't want to hurt the man either. He simply wants to leave.
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"I'm not going to hurt you," he promises, gesturing to where the animal is looking, heart pounding wildly. "You can, you can go," he manages, breathing in sharply.